Thursday, May 16, 2013
Cantata Profana - Chamber Music of a Grander Scale
Cantata Profana, founded in 2013 by students from the Yale School of Music and the Institute of Sacred Music, is a unique ensemble as it is committed to performing works written for larger-sized vocal and instrumental ensembles. According to manager and founder, Jacob Ashworth, "There are earlier precedents, but Arnold Schönberg’s Pierrot Lunaire kind of split the roof open for this sort of group. So many composers followed suit and started writing for eclectic combinations of instruments with voice... It’s hard to find the group that wants to devote themselves to making the organizational effort and spending the rehearsal time on a Webern piece with eight instruments and singer, if it is only going to yield two minutes of music on a program. But that’s us. We’re that group."
The group has already given two very successful concerts on the Yale campus and will be taking their hit show, Eight Songs for a Mad King, to Brooklyn's Roulette Theater on May 22 at 8:00pm. Tickets available HERE.
This is a group made up of stunning musicians dedicated to presenting chamber works that are rarely performed. If you have the opportunity, be sure to check them out on May 22nd. Audio clips at top.
Tickets for the May 22nd Show at Roulette, Brooklyn HERE
Cantata Profana Website HERE
Interview with Jacob Ashworth, the ensemble's manager and founder, HERE
Saturday, January 12, 2013
Joel Puckett's Concert Duo - Listen tomorrow at 11:35am CST
Tomorrow at 11:35 AM CST Troy University Public Radio will be playing a segment from Tim Phillip's Clarinet Corner featuring the premiere recording of Joel Puckett's Concert Duo. You can tune in online HERE to catch the great recording featuring Anthony and Demarre McGill with the Chicago Youth Symphony.
You can keep up with the latest from composer Joel Puckett by following him through the links below.
Twitter - https://twitter.com/joelpuckett
Tumblr - http://tinyurl.com/ap5y8v3
Soundcloud - https://soundcloud.com/joel-puckett
Thursday, January 10, 2013
Choma Academy of Music
The Choma Academy of Music is a music school located in Zambia, Africa where students are given the opportunity to receive formal music education while at the same time being given access to assistance for traditional schooling, AIDS and human trafficking prevention education, basic needs provisions, and career development/vocation skills training. There "Music... offer[s] an alternative to a life lived in fear of sickness and slavery. The Academy of Music in Choma, Zambia is battling AIDS and human trafficking by offering students life through the arts."
A colleague and friend of mine, Derek Thompson, will be traveling to Zambia this summer to teach music, bring along much needed music supplies, and to help to grow this institution which is helping to combat the issues of poverty, AIDS, and human trafficking. If you are able, please consider making a donation to help fund his trip. Donations of any size will make a difference! All donations will be used for travel costs, living expenses, and music supplies for the academy. Learn more about Derek and what he will be doing in Zambia at his fundraising page HERE. The Choma Academy of Music Facebook Page can be found HERE.
Friday, December 7, 2012
Forestone Reeds
Above are some recordings I made comparing the legato and articulation of the Forestone to those of the Vandoren V12. The answers are at the bottom of this post. More recordings from other players are available on the Forestone website HERE.
As a clarinet player, I am always on the lookout for ways to make what I do easier. The dream of every reed player is the perfect reed; a reed that could be produced with complete consistency while still maintaining a beautiful sound and great response. Since this cannot be accomplished with traditional cane reeds we are relient on the synthetic reed industry for the realization of this dream.
I recently had the opportunity to experiment with some of Forestone's new Premium Cut synthetic reeds. These reeds retail for $30.95 and are available direct from Forestone's Website HERE. There are things I like about these reeds. For one, they are extremely consistent due to their proprietary injection molding process which allows them to achieve a tip thickness of 0.1mm. They are also unaffected by humidity and require no soaking. This is true of all synthetic reeds, but what makes the Forestone unique is their use of real wood fiber in the reed, 50% of which comes from bamboo.
I disliked the response I experienced from the reeds. I tried different reed thicknesses on a few different mouthpieces and still never felt secure in my articulation or legato. I also found the tone to be thuddy with unwanted overtones and chirps that would sporadically happen when switching registers or tonguing.
Though these issues have been greatly improved since the original Forestone cut, they are still problems that will keep the Forestone from becoming my main reed. I could see relying on them for outdoor concerts or other occasions when humidity can really be an issue, but while reeds have come a long way in this area, they are still not, in my experience, anywhere near where I could play them as a viable alternative to a real cane reed. I will keep my eye on Forestone and other makers as they continue to perfect their design in the hope that someday, there will truly be a perfect reed.
Articulation A - Forestone
Articulation B - V12
Legato A - V12
Legato B - Forestone
As a clarinet player, I am always on the lookout for ways to make what I do easier. The dream of every reed player is the perfect reed; a reed that could be produced with complete consistency while still maintaining a beautiful sound and great response. Since this cannot be accomplished with traditional cane reeds we are relient on the synthetic reed industry for the realization of this dream.
I recently had the opportunity to experiment with some of Forestone's new Premium Cut synthetic reeds. These reeds retail for $30.95 and are available direct from Forestone's Website HERE. There are things I like about these reeds. For one, they are extremely consistent due to their proprietary injection molding process which allows them to achieve a tip thickness of 0.1mm. They are also unaffected by humidity and require no soaking. This is true of all synthetic reeds, but what makes the Forestone unique is their use of real wood fiber in the reed, 50% of which comes from bamboo.
I disliked the response I experienced from the reeds. I tried different reed thicknesses on a few different mouthpieces and still never felt secure in my articulation or legato. I also found the tone to be thuddy with unwanted overtones and chirps that would sporadically happen when switching registers or tonguing.
Though these issues have been greatly improved since the original Forestone cut, they are still problems that will keep the Forestone from becoming my main reed. I could see relying on them for outdoor concerts or other occasions when humidity can really be an issue, but while reeds have come a long way in this area, they are still not, in my experience, anywhere near where I could play them as a viable alternative to a real cane reed. I will keep my eye on Forestone and other makers as they continue to perfect their design in the hope that someday, there will truly be a perfect reed.
Articulation A - Forestone
Articulation B - V12
Legato A - V12
Legato B - Forestone
Monday, October 8, 2012
Pilgerstorfer Reeds
Pilgerstorfer, an Austrian company, produces three different cuts of French-style reeds. The Dolce, Rondo, and Morre. I tried several strengths of each cut and determined that the dolce is the closest to the V12s I am currently using. I found them to be very consistent and they produced a nice, mellow tone. They also play very well straight out of the box. I did notice that they seem to be lacking some of the depth I find in my V12s as well as possessing a somewhat slower articulation, but overall they are wonderful reeds. I would definitely recommend giving them a try. If you are interested, you can purchase the reeds from Clark Fobes, who is the only US retailer of the reeds. He even provides a sample box with reeds from all three cuts in the same strength if you are interested in comparing for yourself. Only time will tell if they will replace my trusty V12s, but they are definitely a contender.
Buy reeds HERE.
Pilgerstorfer website HERE.
Sunday, September 30, 2012
New York Phil Opening Gala: PBS on Demand
The full video of Thursday's concert can be seen below. Enjoy!
Watch New York Philharmonic Opening Gala with Itzhak Perlman on PBS. See more from pbs.
Pines of Rome: Anthony McGill performs with the New York Philharmonic
Watch the New York Philharmonic perform Pines of Rome from Thursday's concert. Anthony McGill, as always, sounds INCREDIBLE. Skip to around 9:00 to hear some of the most masterful clarinet playing you can imagine.
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